Chekhov's Mistress

Bukowski: Born Into This

by Bud Parr


SCMZZZZZZZ.jpg” style=“float:left;padding: 6px;”/> We watched the Bukowski documentary, “Born Into This,” last weekend and I recommend it. You don’t have to be a fan of his, or even of poetry to enjoy the film, although you may find it off-putting if you aren’t vested in some way. Bukowski was an ornery ugly man who didn’t care what anyone thought of him (until he softened up just a little bit later in life). This it would seem was the key to his success, this ugliness and fuck-you to the worldedness. But there’s more to Bukowski than that and telling that story is what the film seems to be about.


I can’t claim to be a major fan, like Bono, Tom Waits or Sean Penn – all interviewed in this film and drop-ins of sort in Bukowski’s life – but I have been subject to the Bukowski allure – something like being drawn to the scene of a car crash.


and, I said, you take your rich aunts and uncles


and grandfathers and fathers


and all their lousy oil


and their seven lakes


and their wild turkey


and buffalo


and the whole state of Texas,


meaning, you crow-blasts


and your Saturday night boardwalks,


and your 2-bit library


and your crooked councilmen


and your pansy artists-


you can take all these


and your weekly newspaper


and your famous tornadoes,


and you filthy floods


and all you yowling cats


and your subscription to Time,


and shove them, baby,


shove them.


-excerpted from “The Day I Kicked Away a Bankroll.”


But you know, if you told Bukowski that you didn’t think his poetry was all that very poetic, maybe more like rap lyrics or a riff from a Spike Lee movie than anything, he wouldn’t give a damn. He was only successful later in life, after all, and until then – before he ever had much of an audience – he wrote “waist-high” prolifically, sometimes at the cost of eating when he chose to write instead of doing something to make more money.


The most memorable story in the film (which is mostly archival footage – he died in ‘94 and this movie just came out in 2003) is more of a motif than a singular event. Bukowski tells of the regular beatings he got as a child, from about the age of 6 to 11. He said that after so many beatings he felt like he could say anything to anyone. He said that the beatings only stopped when he finally stopped reacting, when he couldn’t cry any longer. He found his outlet in writing and because he was stripped of all self-consciousness, he could write anything.


That I think is why Bukowski is a folk hero: He says “…and landlords full of maggots, / pounding for the rent…” when you want to. When you want to scream and say “we are…


Born into this


Into hospitals which are so expensive that it’s cheaper to die


Into lawyers who charge so much it’s cheaper to plead guilty


Into a country where the jails are full and the madhouses closed


Into a place where the masses elevate fools into rich heroes…”


Bukowski says it for you. It ain’t complicated, but he says it with an authoritative rhythm. In fact, I noticed that Bukowski speaks and reads his poetry with the same type of cadence, like he was a walking smoking drinking cursing poetry machine and there was only a thin line between life and poetry.


Bukowski 03


But there wasn’t much poetry in the movie, nine or ten poems, but not all with the same focus. There was the excellent poem from the title, “Dinosauria, we,”  and Bukowski reading and a few fans reading (with Bono doing a particularly bad self-conscious reading of “Roll The Dice” in the dvd extras), but there wasn’t much poetry in the sense that it didn’t really seem like the movie was about a poet. Of course, even though I think of him as a poet, he started with and also wrote a lot of prose and in some ways he became something of an anti-poet. Maybe that’s why the film didn’t seem particularly literary oriented and maybe that’s how Bukowski would have wanted it. There’s no sign of any books or talk of reading or literary influences and Bukowski’s fame goes well beyond the literati. There are mentions of Dante, Beowulf and such in his poetry, but the picture this movie paints is that of a Whitmanesque writer whose words grew organically from – instead of the leaves of grass of Brooklyn – the weeds in the sidewalks of L.A.


So if you want to break down or build up (you choose) your impression of Charles Bukowski, then this is a film worth watching. If, like me, you’ve known little of the man besides his poetry and the Mickey Rourke, Faye Dunaway movie Barfly, which Bukowski autobiographically wrote, then you will also enjoy watching “Born Into This.”


Dinosauria, we




Born like this


Into this


As the chalk faces smile


As Mrs. Death laughs


As the elevators break


As political landscapes dissolve


As the supermarket bag boy holds a college degree


As the oily fish spit out their oily prey


As the sun is masked


We are


Born like this


Into this


Into these carefully mad wars


Into the sight of broken factory windows of emptiness


Into bars where people no longer speak to each other


Into fist fights that end as shootings and knifings


Born into this


Into hospitals which are so expensive that it’s cheaper to die


Into lawyers who charge so much it’s cheaper to plead guilty


Into a country where the jails are full and the madhouses closed


Into a place where the masses elevate fools into rich heroes


Born into this


Walking and living through this


Dying because of this


Muted because of this


Castrated


Debauched


Disinherited


Because of this


Fooled by this


Used by this


Pissed on by this


Made crazy and sick by this


Made violent


Made inhuman


By this


The heart is blackened


The fingers reach for the throat


The gun


The knife


The bomb


The fingers reach toward an unresponsive god


The fingers reach for the bottle


The pill


The powder


We are born into this sorrowful deadliness


We are born into a government 60 years in debt


That soon will be unable to even pay the interest on that debt


And the banks will burn


Money will be useless


There will be open and unpunished murder in the streets


It will be guns and roving mobs


Land will be useless


Food will become a diminishing return


Nuclear power will be taken over by the many


Explosions will continually shake the earth


Radiated robot men will stalk each other


The rich and the chosen will watch from space platforms


Dante’s Inferno will be made to look like a children’s playground


The sun will not be seen and it will always be night


Trees will die


All vegetation will die


Radiated men will eat the flesh of radiated men


The sea will be poisoned


The lakes and rivers will vanish


Rain will be the new gold


The rotting bodies of men and animals will stink in the dark wind


The last few survivors will be overtaken by new and hideous diseases


And the space platforms will be destroyed by attrition


The petering out of supplies


The natural effect of general decay


And there will be the most beautiful silence never heard


Born out of that.


The sun still hidden there


Awaiting the next chapter.

comments

Bukowski is rock n roll.  I “discovered” him about a year and a half ago and was pissed it took me 26 years to find him.  His writing is quick, to the point, honest, and most of the time, in some way, funny as hell.  I didn’t know there was a documentary about him, thanks for the heads up!

Bri-

    – Beerspitnight (06/12  at  08:44 PM)


Thanks for the recommendation.  I saw Barfly years ago and summer is the time to start thinking about Bukowski.

Anomie-Atlanta

http://falseconciousness.blogspot.com/

    – Anomie-Atlanta (06/27  at  01:20 PM)


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