SCMZZZZZZZ.jpg” class=“floatimgleft” />Cambridge University Press will publish in June a new addition to their “Companions to Literature” series on Vladimir Nabokov. The Cambridge Companions, of which there are 237 volumes, are essentially scholarly material packaged for the general reader. I have read many of them and they generally give a detailed overview of the state of thinking on their subject. The introduction to this volume offers that the collection “does not attempt to be encyclopedic in scope or coverage. Nabokov and his artistic legacy have too many dimensions to receive comprehensive treatment in a volume such as this. Instead, a group of distinguished Nabokov scholars has been asked to provide the interested reader with some new critical pathways into Nabokov’s rich creative landscape. Readers with some familiarity with Nabokov’s work will encounter thought-provoking treatments of Nabokov’s art and its place in a variety of cultural contexts.”
CUP offers a pdf of the introductory chapter that summarizes each of the essays:
Table of Contents
Chronology
Introduction: the many faces of Vladimir Nabokov – Julian W. Connolly
Part I. Contexts:
1. Strong opinions and nerve points: Nabokov’s life and art – Zoran Kuzmanovich
2. Nabokov as storyteller – Brian Boyd
3. Nabokov as a Russian writer – Alexander Dolinin
4. ‘By some sleight of land’: how Nabokov rewrote America – Susan Elizabeth Sweeney
5. Nabokov and modernism – John Burt Foster, Jr.
Part II. Works
6. Nabokov as poet – Barry Scherr
7. Nabokov’s short fiction – Priscilla Meyer
8. The major Russian novels – Julian W. Connolly
9. From Sirin to Nabokov: the transition to English – Neil Cornwell
10. Nabokov’s biographical impulse: art of writing lives – Galya Diment
11. The Lolita phenomenon from Paris to Tehran – Ellen Pifer
12. Nabokov’s late fiction – Michael Wood
Part III. Related Worlds:
13. Nabokov and cinema – Barbara Wyllie
14. Nabokov’s world view – Leona Toker
A guide to further reading.
![]()
Read widely, think well, and write often
Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
No Derivative Works. You may not alter, transform, or build upon this work.
This is a human-readable summary of the Legal Code (the full license):
http://creativecommons.org/licenses/by-nd/3.0/legalcode
This site employs rank-denial and other anti-spam measures.
Your link here will do nothing for your rankings or traffic. Off-topic comments will be deleted.