I think this is a great idea: “why not publish our favourite books without front covers?!” – actually, the idea of Penguin UK is to print books with art-quality covers and let readers fill them in anyway they like. I have trouble with drawing lines, circles and text much less doing anything creative. Those that can do that stuff are doing a nice job, as you can see on this Penguin gallery they set up.
But what about books without dressed up covers? I admit to being drawn into a book’s outer imagry, as many do, according to Penguin, but I’m also aware that a book’s cover is probably the furthest thing from an author’s control or original conception – particularly classics or books that may take on a long life in translation or republishing. Just look at James Cañón’s Website (which I designed). The covers for his forthcoming book in the U.S., U.K. and The Netherlands all seem to tell a different story and are probably designed to appeal to each of their local markets, but which, I wonder, would James have had in his mind’s eye as he wrote the book?



I don’t mean to sound naïve about marketing; it’s great to have something to differentiate one book from another on the shelves – same too with music; I’m often drawn in by EMI’s darkly evocative cd covers – but as good as they may be, a book cannot – drumroll please – be judged by its cover. Then why do we let it?
Haven’t you ever read a classic novel where they put paintings on the covers and somehow gotten the image from the painting in your head as one of the book’s characters? I hate it when that happens. Another problem: authors; I had to take the jacket cover off of James Merrill’s Collected Poems because his face took up the entire fat spine and wouldn’t stop staring out at me.
SCMZZZZZZZ.jpg” alt=“image” width=“93” height=“160” style=“border: 0;float:left;padding:0 8px 0 0;”/> I almost didn’t read Jane {a murder} because of the cover and even though I’m probably not the reader the publisher was targeting, I loved the book and nearly missed the experience because – how to say this correctly? – an unattractive picture on the front sent me a feminist message and I assumed I wouldn’t get it.
So as much as book covers can be a differentiator, they can also be the source of “misreadings” of sorts or annoyances. And that’s before we get into the blurbs.
p.s. publishers who have not yet started a blog, take note of the trackbacks and comments on the Penguin blog (and of course you can always hire someone like me to help out).
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